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Scene notes:
Seems to rotate, it is the Earth that spins, The continuation of another clip with blue color grading.
Time-lapse length (30 fps):
6 seconds and 14 frames.
Seems to rotate, it is the Earth that spins, The continuation of another clip with blue color grading.
Time-lapse length (30 fps):
6 seconds and 14 frames.
A 50mm lens at open aperture (f1.4). Far above a mountain peak, a mid-level cloud layer gradually works its way into the frame, silhouetted in the dark night sky. Coma (comatic aberration) is present at moderate levels.
Time-lapse length (30 fps):
7 seconds and 13 frames.
A small portion of the frame has the mountains silhouetted on the Northern Lights. The other roughly 95 percent of the frame comprises stars. The Aurora flash stochastically as the long exposures span the length of time that the light intensifies and dims.
Time-lapse length (30 fps):
7 seconds and 21 frames.
Directly overhead in the northern hemisphere after midnight in summer, the Milky Way is clearly visible in the center of the frame, dust clouds countless light years away obscuring many of the stars. There are so many stars in our galaxy alone that, when looking towards the center of it in person, the countless points of light compose a picture of endlessness and indescribably numerous of star systems, planets, and celestial phenomena.
Time-lapse length (30 fps):
7 seconds and 13 frames.
The view over sub-arctic woods at night. One of the last areas this far north with any significant light pollution (man-made light that has a significant impact on the darkness of the night), the Northern Lights are observable in the distant thermosphere, around 65 miles above the Earth. This clip contains the lowest amount of transforming aurora in the entire collection.
Time-lapse length (30 fps):
7 seconds and 65 frames.
The thunderstorm moves past the frame, right to left. The lightning illuminates the cloud stochastically as the city, outside of the frame, lights the clouds from below constantly. Leaving behind some of itself as it passes overhead, the ‘cell’ is moved by outflow from other storms.
Time-lapse length (30 fps):
12 seconds and 1 frame.
…at San Francisco Airport, SFO at night under rainy clouds. Rain is shown entering the frame from left in the rain clouds over the airport as planes continue to land, moving against the rain’s direction in the frame, over the water. As with the other three in this series, the clouds are largely illuminated by city lights.
Time-lapse length (30 fps):
8 seconds and 7 frames.
… both directions and airplanes taking off in the night sky. A constant flow of traffic pours through both ways of the Golden Gate Bridge over the bay, which lightly reflects the lights of the bridge itself. Airplanes, passenger liners are seen taking off and veering to the right throughout in the sky at upper portion of the frame this cloudless evening. The lights of the radio towers on Twin Peaks just left of the right pillar on the bridge rise high, a few miles away. The bay appears to be pouring in water constantly on the top surface.
Time-lapse length (30 fps):
7 seconds and 25 frames.