The tree line is a silhouette against the glowing sunset light, and is reflected perfectly in the pond. The scene darkens as the clip progresses, and the sun has set.
Time-lapse length (30 fps):
13 seconds and 5 frames.
This clip is illustrative of the under lighting that happens after the sun has set. From the altitude of the clouds, the light is still briefly shining on them, and the clouds are turned pink and red with oranges in between, and different levels of clouds are shown to move in differing directions according to the winds at those altitudes.
Time-lapse length (30 fps):
4 seconds and 21 frames.
From the viewpoint on the hill, the valley and lake is seen below. While nine-tenths of the frame is composed of the sky’s clouds and glowing on distant mountains. Two layers of clouds are present, a low-level and medium-level. On the medium level, the glow of light supplements the direct under-lighting on it. Pinks, oranges, and reds play out on the sky as the sun peaks out one last time for the day in 2005. The lower-level clouds moves towards the camera.
Time-lapse length (30 fps):
12 seconds and 3 frames.
Precipitation and high wind; this Nimbus is not a violent one, but is dense and dark where it has its rain, like usual for a storm cloud. Rain is diffusing the glowing light below it, and the underside of the storm is lit from the ambient glow.
Time-lapse length (30 fps):
10 seconds and 13 frames.
Details of flame-shaped clouds at sunset with the blue-purples of higher clouds on the layer above. The castle shaped clouds glow amber, gold-yellow and pink in the light, in this cloudy skyscape.
Time-lapse length (30 fps):
6 seconds and 9 frames.
Oranges like Tacao and Harvest Gold turn into Purples like Ferra as the sunsets, and the fog appears to move like a liquid solid – while being entirely vapor.
Time-lapse length (30 fps):
32 seconds and 8 frames.
The unique shape of an Atlas cedar is silhouetted against the brighter layers of upper-level clouds. Slower clips like these are more useful relaxation, biofeedback, etc. In the lower four tenths of the frame a slowly roiling fog bank is pinkish from ambient light. A longer exposure speed is used relative to other clips.
Time-lapse length (30 fps):
19 seconds and 25 frames.
The sun radiates vibrant sunbeams, filtered through the evergreen tree on the left of the frame. The fog moves rapidly left to right, and as its edges pass through the middle ground, the tree creates shadows where it physically blocks the light. The sunbeams are most pronounced midway through the clip. The colors of the glow change from bright gold to Papaya orange.
Time-lapse length (30 fps):
21 seconds and 13 frames.