The mid-level clouds are in full sunlight just before and during the actual sun setting below the horizon. The continuation of another clip. The low-level clouds which only recently brought rain have largely evaporated, remnants now lit from the reflection of the ocean and filtered pink light. On the beach (bottom right) the sand is where the gentle waves culminate gradually.
Time-lapse length (30 fps):
11 seconds and 24 frames.
Brilliantly lit by the reflection of the ocean, these mid-level clouds show intricate details in vivid colors. An upper-level Cirrus formation also flies above that layer, shining. The sun sets behind these Cirrus. In the bottom-fifth, the reflective ocean waves pour in far below and beyond to the horizon.
Time-lapse length (30 fps):
19 seconds and 13 frames.
On the way to sunset in Kauai, by the Napali Coast, multiple layers of clouds move. These clouds quickly roil away from the camera and seemingly following the headlands are on the medium side of density, but they do not need to be heavy to foretell rain is on the way when it’s so humid. Observe the distant layer of headlands which seems to be different layer in the background, slightly glowing. This is due to the moisture in the air. The beach is visible on a small area of the lower left, and the ocean has many small waves rushing in.
Time-lapse length (30 fps):
11 seconds and 14 frames.
The ocean flows hundreds of feet below, with the foreground the edge of a grassy cliff, initially comprising four-tenths of the frame. The frame pans upwards as the sun goes down, illuminating some of the stratus clouds from below. They are blown in the strong ocean winds, the same ones pushing the waves far below. The sun is shown going below the horizon. In the distance on the left, another headland of Iceland is apparent.
Time-lapse length (30 fps):
16 seconds and 18 frames.
Looking south-southwest at dusk, post-sunset, towards the Pacific Ocean and Lincoln Park on the opposite end of the bay. Low tide, or wind, is responsible for the water’s direction. At the end of the opposing headlands, Seal Rocks, an outcrop of stones just off the beach, are near the center of the frame. Well past the time of day where details are apparent to the naked eye, the outline of a cargo ship leaves the bay, its lights are on as it begins a sea journey at night. The very steep Marin Headlands, the middle ground, is silhouetted on the ocean, in the lower right.
Time-lapse length (30 fps):
15 seconds and 24 frames.
A continuation of another clip (not in chronological order). The clouds will begin to glow as the sun comes out. High clouds cast shadows on the background headlands until the sun goes ‘below’ them in the sky. When this occurs, the foreground beach and ocean, as well as the middle and parts of the background, come fully into light. The clouds high in the sky are Cirrus.
Time-lapse length (30 fps):
14 seconds and 8 frames.
The ocean, comprising one quarter of the frame, is uncommonly calm due to the Gulf of Mexico, largely shaped and enclosed from the turbulence of the greater Atlantic Ocean by the peninsula that is Florida. The brighter clouds in the upper layer in the distance on the horizon make a glowing layer as a backdrop to lower mid-level clouds, their shapes delicately and finely lit in the dying sunlight. A duo of humans rapidly pass through the frame in the ocean early in the clip.
Time-lapse length (30 fps):
14 seconds and 17 frames.
Humans are seen strolling rapidly on the beach as silhouettes from afar, and the ocean about an eight of the frame, which is shown with very gentle waves, and changes with the sky color as it changes. Far away, the sun goes behind a smaller sized Cumulonimbus around 10 miles away near the horizon, and minor sunbeams are briefly seen. In the upper levels of the sky above, Cirrus clouds are made reddish, then pink.
Time-lapse length (30 fps):
12 seconds and 2 frames.